“You spend your whole life stuck in the labyrinth, thinking how you'll escape one day, and how awesome it will be, and imagining that future keeps you going, but you never do it. You just use the future to escape the present.” “We need never be hopeless because we can never be irreperably broken.” “The pleasure of remembering had been taken from me, because there was no longer anyone to remember with. It felt like losing your co-rememberer meant losing the memory itself, as if the things we'd done were less real and important than they had been hours before.” "You like someone who can't like you back because unrequited love can be survived in a way that once-requited love cannot." "You can love someone so much...But you can never love people as much as you miss them." "'Some people don't understand the promises they're making when they make them,' I said. 'Right, of course. But you keep the promise anyway. That's what love is. Love is keeping the promise anyway.'" "I fell in love the way you fall asleep-slowly, then all at once." "My love, I cannot tell you how thankful I am for our little infinity. I wouldn't trade it for the world. You gave me forever within the numbered days, and I'm grateful." "My thoughts are stars I cannot fathom into constellations."
Lady Brainsample has had three days in a row of being almost completely happy, so she wishes to make a blog post. Not only was yesterday a mostly happy day, but Friday she found out there is a SLIGHT chance she may be able to get an A in the dreaded Business Law class.
But that's not the point of this blog post, so she will switch from third person back to first.
I saw The Muppets. (the movie, not them in general...)
Now, when I found out last June that they were making a new Muppet movie that was going to be a theatrical release, I was skeptical. Don't get me wrong, I LOVE the Muppets. Always have. But the last thing they made that had to do with the Muppets (I think it was some sort of TV or direct to DVD-type special called Letters to Santa or something like that...) failed to please.
It wasn't that it was BAD bad, but it wasn't the regular caliber of proper Muppet productions. It was a predictable plot with mediocre music that was obviously contrived to squeeze money out of the franchise. Honestly, the last great Muppet movie was probably Muppets From Space.
Even the movie before that (It's a Very Merry Muppet Christmas) wasn't that great. There were moments I absolutely LOVED, (see this blog post) but overall, it was just meh.
But anyway, up until it actually came out, I was skeptical. Then one of Mom's old friends saw it and said that if it didn't win Best Picture, the Oscars would be exposed for the sham that they are.
Ok, that's encouraging. Hope slightly restored.
Then I heard the beginning of the latest Overthinking It podcast, in which they were planning to discuss the movie. Before I stopped listening to it, (didn't want to hear spoilers) they said all sorts of stuff about how you MUST see this movie, etc., etc., etc.
Ok, I'm excited.
I was not disappointed. So, I echo others. GO SEE THIS MOVIE.
There are SO many things I loved about this movie. The music was outstanding, the non-Muppet actors did a fine job, the Muppets themselves looked GREAT.
The story was great; reading the synopsis, I thought I would be able to predict where the story was going to go, but I didn't.
But what was really awesome was a feeling I got that was similar to how I felt watching Toy Story 3. When I saw Toy Story 3, it felt really relevant to me because Andy was going to college, he was the same age as I am; so it was like they made the movie not only for all the kids of this generation, but also for the generation that grew up with the Toy Story movies.
Similarly, with the Muppet movie, when we finally meet Kermit again, he talks about how they've waned in popularity, but in spite of that, Walter, the greatest Muppet fan, loves them and eggs them on to put on another show. Whenever Kermit said something about people not knowing who they were or caring anymore, my mental thoughts were, "I still love y'all!!!"
All of the Muppets reuniting again in the story was incredibly awesome, Kermit finally admits that he loved Miss Piggy, and I don't know how to write about other stuff that I loved without sounding so inCREDibly sappy.
Even more sappy than I sound when I tell you readers that I cried. A whole lot. Not just during sad parts! During all the happy angsty parts. When Kermit and Piggy finally started singing Rainbow Connection together, I completely lost it.
Final comments: Jim Parsons was AWESOME as his appearance as the human version of Walter; Chris Cooper makes a great villain; and I loved that Uncle Deadly (one of the less well-known Muppets) got to have a featured role and turned good at the end.
And because I haven't posted anything about my cats recently, I'll show y'all my attempt to get Trillian (our newest) to take a picture with me.
It didn't go as planned, ha ha.
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.
Also, I'm thinking of having a discussion on Jerry Maguire, one of the greatest non-sports sports movies ever made.
In the mean time, enjoy Tom Cruise's genius in the flip out scene. I'm a DANCER, and I don't know how he contorts himself like that, ha ha... If you wish, skip the rest of the clip, but please watch him FLIP OUT!! It will make your day more hilarious.
In my angst about whether the new Muppet movie coming out in November will be good or not, I remembered this little beauty from one of the tv specials that came out some years ago.
My favorite part is probably when Miss Piggy yells something to the effect of, "Can everyone stop singing different songs?!" Oh, Baz...
"You know those days when you get the mean reds?" "The mean reds, you mean like the blues?" "No. The blues are because you're getting fat and maybe it's been raining too long, you're just sad that's all. The mean reds are horrible. Suddenly you're afraid and you don't know what you're afraid of. Do you ever get that feeling?" "Sure." "Well, when I get it the only thing that does any good is to jump in a cab and go to Tiffany's. Calms me down right away. The quietness and the proud look of it; nothing very bad could happen to you there. If I could find a real-life place that'd make me feel like Tiffany's, then - then I'd buy some furniture and give the cat a name!"
"We're alike, me and cat. A couple of poor nameless slobs."
"I'll tell you one thing, Fred, darling... I'd marry you for your money in a minute. Would you marry me for my money?" "In a minute." "I guess it's pretty lucky neither of us is rich, huh?"
"It's useful being top banana in the shock department."
"Yet each man kills the thing he loves
By each let this be heard,
Some do it with a bitter look,
Some with a flattering word,
The coward does it with a kiss,
The brave man with a sword!"
"Over the piano was printed a notice: Please do not shoot the pianist. He is doing his best."
"The mystery of love is greater than the mystery of death."
"Be happy, be happy; you shall have your red rose. I will build it out of music by moonlight, and stain it with my own heart's-blood. All that I ask of you in return is that you will be a true lover, for Love is wiser than Philosophy, though she is wise, and mightier than Power, though he is mighty."
"Man is least himself when he talks in his own person. Give him a mask, and he will tell you the truth."
"The only way to atone for being occasionally a little over-dressed is by being always absolutely over-educated."
"We are all in the gutter, but some of us are looking at the stars."
Few little issues...
1. What's up with lightsaber version of Rhindon?
2. What's going on with the shots of Peter and Susan seemingly in Narnian gear?
3. Oh, no...don't give us another deal like Peter in PC with Edmund. You do NOT mess with Edmund.
4. The White Witch where she doesn't belong...again? Hmm.....
5. Caspian with a beard: I like.
Well, recently I had the amazing privilege of seeing The Phantom of the Opera live on stage, and there are many words that come to mind to describe it: amazing, fantastic, gripping, tragic, beautiful. But a review that just describes something in such pithy undescriptive tones would be boring, so I'll try to think better ways to relay my awesome experience. As always, spoilers are a constant presence, so beware. Also seeing the musical makes me even more suspicious of the sequel, as I posted about earlier.
Times I cried in the whole show: four.
Three times in Act 1 and once in Act 2, though that time was rather...extensive, we'll say.
Favorite scenes:
Chandelier going up:
We were in the mezzanine, so we had a spectacular view of the chandelier and how it ascended from the stage, over the heads of the orchestra pit and people in the first few rows, then all the way up the theater.
When Christine and Meg were singing Angel of Music:
The ballet chorus girls kept making hilarious mistakes. There is always the constant question of whether art imitates life or life imitates art: I think in this case, art imitates life because I've made many of the same silly mistakes those girls have made when dancing.
Title song:
Ohhh......my.........gosh...... There are no words sufficient enough to describe this scene. This one in my mind was the thing I had anticipated the most, and it did not disappoint. Think of how the movie version had an elaborate set, then stuff it down to moving platforms, fog, candles that come out of the stage, moving boat, and the Phantom himself. With a hat! I'm so used to the movie, I always forget that he has an awesome hat in the musical. Add to that the music itself and the actors singing it, and... ugh! I'm flabbergasted trying to explain, so I'll just move on... Well wait, before I go on I have to say something: I was obsessed with Spamalot before I was obsessed with many other Broadway musicals, Phantom being one of them. But seeing "Phantom of the Opera" (individual song) on stage made me completely get how brilliant "The Song that Goes Like This" was in parodying it in its staging. I don't think I'll ever be able to choose my favorite musical.... It's either Spamalot, Phantom of the Opera, or Les Miserables...such a decision...but moving on.
Music of the Night:
Rocked. His high light note literally made me and a friend I was seeing it with gasp in amazement.
All I Ask of You and its Reprise:
This Raoul actually wasn't annoying! It's amazing how this has happened two times in a row... the Lovesick Tenor in love with the Main Soprano usually never fails to annoy in movie versions or soundtracks. In both Les Mis and Phantom, their Marius/Raoul and Cosette/Christine were not completely annoying!
Phantom lowered down on the statue: completely amazing.
And of course, the Chandelier Crash.
Really, it crashes. Right back onto the stage. And it rocked.
Past the Point of No Return to the end:
I'm really coming up with nothing descriptive that wouldn't completely ruin the musical for someone who hasn't seen it, so I'll just say this: it made me cry pathetically.
Overall, I had an incredible time, and I was so blessed in that I got to see it with some of my dearest friends and family, which made the time even more amazing.
To leave y'all, here is the condensed title song and Music of the Night as performed in the Tony Awards in 1988, by Michael Crawford and Sarah Brightman, the original Phantom and Christine. This'll give you a tiny taste of the awesomeness of the set, especially the title song.
Ok, a mini-speech... I always find it interesting how as an actor, I've always been taught never, Never, NEVER to turn my back on the audience, yet in shows like Les Mis and Phantom, there are times when a performer has his back on the audience for long stretches of time... I just find that amusing...
The further I delve into J.R.R. Tolkien's Lord of the Rings, the more I fall in love with it. The books are central to the obsession, of course, but around the books is also the extended universe of the movies, the musical, and things like that. And it's always so heartening and encouraging when they do the adaptions well. Take the song Now and For Always from the musical based on the book:
Great song right? Well, it's even greater to a hard-core fan when he examines the correlation between the lyrics and the original book.
"Sing me a tale of Frodo and the Ring!
Fearless and bold,"
"Tired and cold!"
"A sword at his side, an elf-blade called Sting,
Crossing a miserable land.
Wouldn't retreat, just follow his feet,
Now and for always."
Then later:
"Sing me a tale of the bravest of them all,
Comrade and guide, at my side.
Stout-hearted Sam who wouldn't let me fall,
Holding my life in his hands.
True to the end, no finer friend,
Now and for always."
Compare that to an (abridged here) passage in the book the Two Towers:
Sam: "Still, I wonder if we shall ever be put into songs or tales. We're in one, of course; but I mean: put into words, you know, told by the fireside, or read out of a great big book with red and black letters, years and years afterwards. And people will say: 'Let's hear about Frodo and the Ring!' And they'll say: 'Yes, that's one of my favourite stories. Frodo was very brave, wasn't he dad?' 'Yes, my boy, the famousest of the hobbits, and that's saying a lot.'"
Frodo: "But you've left out one of the chief characters: Samwise the stouthearted. 'I want to hear more about Sam, dad. Why didn't they put more of his talk, dad? That's what I like, it makes me laugh. And Frodo wouldn't have got far without Sam, would he, dad?'"
"Now, Mr. Frodo, you shouldn't make fun. I was serious."
"So was I. And so I am."
AHH!!! I can't ever stop geeking out about how awesome that passage is and how well they adapted it for the song. I can't speak for the whole musical because I haven't seen it and have only heard the soundtrack, but that song is just amazing....
But, on the other side of the equation are the things that they didn't do so well. ((from here on out is highly opinionated ground, just to warn you)) There are many examples, some of which are forgivable, (like the elves showing up at Helm's Deep) and some which are unforgivable. (Arwen in general, Haldir dying, Frodo leaving Sam on the stairs at Cirith Ungol, Anduril not coming it when it was supposed to)
But the one unforgivable change I specifically want to discuss is Faramir's character.
Faramir is my absolute favorite character in the whole book, so as I've been re-reading the book, I have been very disappointed with a lot of the changes that were in the movie. Many of these changes are humorously illustrated in this great fanfiction story.
We can laugh at the story and how the different Faramirs compare notes, but more seriously, the movie did miss alot of things. As Mom put it, "The people who wrote it didn't seem to GET his character."
The wikipedia article discusses the book fans' negative reaction to the change and notes,
"Co-screenwriter Philippa Boyens and actor David Wenham defended the changes to Faramir's character in order to increase dramatic tension: Faramir's "sea-green incorruptible" nature in the book would not have "[translated] well filmically".
I remain in the group of fans that is "unimpressed and unconvinced" with their pithy justifications. He was "sea-green incorruptible" because he was educated and wise. The book tells us that when Mithrandir (otherwise known as Gandalf) was around, Faramir always loved to listen to him talk and study with him. He probably took that studious wizard-like habit with him long after he saw Mithrandir and kept studying.
I personally think that he thought about what he would do if he came across Isildur's bane. He probably knew that anyone who used it became corrupted and evil and decided what he would do if he ever got the chance to have it. He says before even knowing what Frodo carries,
"I would not take this thing, if it lay by the highway. not were Minas Tirith falling in ruin and I alone could save her, so, using the weapon of the Dark Lord for her good and my glory." Then once he does know about the ring, by way of Sam's slip, he says, "Even if I were such a man as to desire this thing, and even though I knew not clearly what this thing was when I spoke, still I should take those words as a vow, and be held by them. But I am not such a man. Or I am wise enough to know that there are some perils from which a man must flee."
Another "what were they thinking?" moment for me was the removal of one of the greatest lines in the trilogy that was spoken by Faramir.
"War must be, while we defend our lives against a destroyer who would devour all; but I do not love the bright sword for its sharpness, nor the arrow for its swiftness, nor the warrior for his glory. I love only that which they defend."
WHAT WERE THEY THINKING????????
I could go on and on and on about how much I love Faramir and how most of the movie's changes are deplorable, but I've only scratched the surface of his character in the Two Towers. I'll save Return of the King and other things for another post.
But before I shut down entirely, I want to leave y'all with one of my favorite passages in the entire book. This is right after Sam's slip, and Faramir has told them he's not going to take the Ring from them.
"Frodo had felt himself trembling as the first shock of fear passed. Now a great weariness came down on him like a cloud. he could dissemble and resist no longer.
'I was going to find a way to Morder,' he said faintly. 'I was going to Gorgoroth. I must find the Mountain of Fire and cast the thing into the gulf of doom. Gandalf said so. I do not think I shall ever get there.'
Faramir stared at him for a moment in grave astonishment. Then suddenly he caught him as he swayed, and lifting him gently, carried him to the bed and laid him there, and covered him warmly. At once he fell into a deep sleep.
Another bed was set beside him for his servant. Sam hesitated for a moment, then bowing ver low: 'Good night, Captain, my lord,' he said. 'You took the chance, sir."
'Did I so?' said Faramir.
"Yes sir, and showed your quality: the very highest.'
Faramir smiled. 'A pert servant, Master Samwise. But nay: the praise of the praiseworthy is above all rewards. yet there was naught in this to praise. I had not lure or desire to do other than I have done.'
'Ah well, sir,' said Sam, 'you said my master had an elvish air; and that was good and true. but I can say this: you have an air too, sir, that reminds me of, of-well, Gandalf, of wizards.'
I LOVE these videos, and would watch more Les Mis, but that my internet can only take so much youtube before dying on me. So...enjoy these two, and if you have good internet, find the other ones related to these. I'm sure they rock too.
First of all, anyone who has not seen the Princess Bride MUST MUST MUST go out and see it before reading this review. I do not want to spoil such an awesome movie. And yes, I do mean anyone. I recommend this movie to any and all.
True to my word, I did watch Princess Bride yesterday, and it made me so happy. I seriously think that if I ever had to choose one SINGLE movie as my favorite, PB would be it. It has everything: "Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles."
(by the way, that's actually the corresponding quote from the book. I'm making this a joint review)
The Princess Bride is probably the only example of a movie I know of in which I am completely happy with the transition from book to movie. Granted, I did see the movie first, but after reading the book, I didn't get one of those, "How in the world could they have changed such-and-such?" feelings after reading it.
In fact, let me tell you story about me and the book. You know how in the movie, the Grandfather is reading the story to his grandson while the kid is sick? Well, they have that in the book except that the author William Goldman made it so that he himself was the grandson listening to his grandfather read this 'book' by 'S. Morgenstern.' There were other parts of the modern part of the story that made references to Florin and Guilder and all those different things actually existing.
I believed it! I wanted to go to Florin to see the Fire Swamp and Cliffs of Insanity and the Princess Bride museum. I wanted to go to the Morgenstern library. Months later, I looked up the book on wikipedia for some reason, and I went into shock. It revealed to me that the whole part about the grandson and Florin being a real country was all just a plot device. That's it. There was no Morgenstern, no grandfather, no Florin. I almost literally broke down because it was so heart breaking. Thankfully, it didn't scar me for life. It just made me really really annoyed for about a month.
But anyway. I really enjoyed watching the movie again because I was able to catch details I hadn't caught the first ten times seeing that movie. One thing I focused on this time through was what each character's obsession/first love/main mission was. Every single main character had one.
Westley's obession is, of course, Buttercup. In the beginning, all he wants to do is SHOW her how much he loves her. Instead of just saying, "I love you," he shows his love. Buttercup asked him to fetch a pitcher that must have only been twelve inches away from her. His actions speak louder than words as he walks over to her and gives her the pot, whispering, "As you wish." Though he was captured by the Dread Pirate Roberts and eventually became Dread Pirate Roberts, he never lost sight of his goal: to get Buttercup back which he does at the end.
Inigo's main mission is to avenge his father and kill the Six Fingered Man. The book talks about how Inigo had always imagined how it would play out with pleas, bribe attempts, and all sorts of other fun, but then decided to go for the simplest thing: "Hello, my name is Inigo Montoya. You killed my father. Prepare to die." This is an obsession. He spent about twenty years just training with the sword and strengthening himself. He's so good he even fights extremely well left handedly.
I could go on and on and on with character analysis, but this review is getting a tad long. I'd like to hear from y'all. What is your favorite moment from the book or movie? And what do you think a character's obsession is?
"We cannot tell the precise moment when friendship is formed. As in filling a vessel drop by drop, there is at last a drop which makes it run over; so in a series of kindnesses, there is at last one which makes the heart run over."
~James Boswell, quoted in Fahrenheit 451 by Ray Bradbury
Lots of random bits of information I'd like to impart because lately Cease Repining has been almost entirely lame... You can blame it on my acting classes and current projects. (Bookmark of Doom and Death Wears a Suit) There's been alot of work on both of these things. (headshots, mock auditions, and preparations for the showcase for the former; script editing, pre-vis photography, and induction of a new member of EJC on the latter)
But anyhoo....first off. You are not seeing double. We have another kitten.
Here's his story... For about a week, we had been seeing him every once in awhile at night. He'd meow and want food, so we'd feed him. We thought he was one of Mimi's wild cats. Because we'd always see him at night, Dad started calling his Nightcrawler. (X-Men fans? Anyone? Anyone?) So then a day came when our dogs were going nuts for no apparent reason. I went outside onto our porch and found him again almost freezing to death (slight exaggeration...maybe) because it was windy and cold that day. From that time on, we kept feeding him and bringing him into the house.
We know now that he is NOT one of Mimi's wild cats because he LOVES being petted and none of Mimi's cats will let anyone come near them. We figure someone dumped him.
That's the story of our pet life. Some....(what I wish to say should not be said in polite society) has always left his poor dogs or cats on the road or in a ditch to let them die. I hate it!! It makes me so mad that people would be so cruel and irresponsible. How hard is it to take them to Petco or an Animal Shelter? Ugh....
What's really nice is that now Charlie doesn't drive the older cats nuts. She has Nightcrawler to fight and play with. And believe me, they fight and play hard. It's funny; now all of our cats are in pairs. Rochilimea and Pseudomonis, (who are, incidentally siblings) Lucy and Figaro, and Charlie and Nightcrawler. (Slinker and Crawler, hee hee.)
Speaking of M. Night Crawler, (that's one of his other nicknames) I am mourning...for a sillyish reason.
I'm dead serious. I wish I wasn't. Apparently, the aquirance of his skills for playing Johnny Cash in Walk the Line inspired him to become a musician instead.
So, to start the mourning process, the other night I watched the Village which is one of my favorite movies. I SO want to do a spoof of that great scene where Ivy is holding out her hand and the creature almost gets her. That is SUCH a beautiful scene, yet still creepy. Ah well...maybe we'll have time to spoof it after principal photography of the two main projects.
"You don't have a soul. You are a Soul. You have a body."
“Though our feelings come and go, God’s love for us does not.”
"Until you have given up your self to Him you will not have a real self..."
"Aim at heaven and you will get earth thrown in. Aim at earth and you get neither."
"Education without values, as useful as it is, seems rather to make man a more clever devil."
“God, who foresaw your tribulation, has specially armed you to go through it, not without pain but without stain”
“The very man who has argued you down, will sometimes be found, years later, to have been influenced by what you said”
“I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.”
"Christianity, if false, is of no importance, and if true, of infinite importance. The only thing it cannot be is moderately important."
"A man can no more diminish God's glory by refusing to worship Him than a lunatic can put out the sun by scribbling the word, 'darkness' on the walls of his cell."
"Don't use words too big for the subject. Don't say "infinitely" when you mean "very"; otherwise you'll have no word left when you want to talk about something really infinite."
“You will never know how much you believe something until it is a matter of life and death.”
"My argument against God was that the universe seemed so cruel and unjust. But how had I got this idea of just and unjust? A man does not call a line crooked unless he has some idea of a straight line. What was I comparing this universe with when I called it unjust?"
"Acting or writing or directing in theater or television or screen is only for the irrevocably diseased, those who are so smitten with the need that there is no choice."
I conform to non-conformity. I am myself because everyone else is taken. I am a paradox wrapped in an oxymoron smothered in contradictions in terms. I am who I am and say what I feel because those who mind don't matter and those who matter don't mind.
